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COLOR RESEARCH
Since 2014 Uriel has been studying color in a structural way. The aim is to develop a more coherent and powerful system of knowledge and use of color than the current ones; ranging from color systems to cultural perception, from aesthetics to semiotics, from terminology to the implementation of new theoretical assumptions, Uriel tries to analyse and refute the theories encountered in order to propose alternatives. Uriel has already dedicated two dissertations to technical-theoretical problems of color, and has published some papers in open access: Paper (ENG) ‘‘The Negative Consequences of The Ideology of The Medium for Color’’. In Digital Journal of Science Vol.2(5): 133. 2025
Paper (ITA + ENG) ‘‘Il retaggio della scienza moderna nelle tecnologie cromatiche contemporanee - Il fattore empirico della rivoluzione scientifica sul colore: fra tricromia produttiva e fisiologica - fra discreto e continuo’’. In AND 43, Colore > Superifici. Florence. 2024
Paper (ITA) ‘‘La svolta cromatica’’. In Colore e Colorimetria. Contributi Multidisciplinari. Vol. XVIII B. Gruppo del Colore – Associazione Italiana Colore. Research Culture And Science Books series (RCASB). DOI: 10.23738/RCASB.0010, 2023
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CRITICAL WRITING
From 2024 Uriel started to dedicate himself to preparing exhibition projects, writing texts, and more recently to organizing exhibitions as a curator. Below are the materials of the projects that have already taken place: Curator of the exhibition “In uscita“, duo show, Spazio L'Ove, Lugano (CH), by Cristina Rüesch and Sophia Leitenmayer, 2025
All texts for ''Feedback''
Duo show, Spazio L’Ove, Lugano (CH), by Uriel Schmid Téllez and Elia Varini, 2025
Presentation text for ‘’TANA LIBERI TUTTI’’
Group exhibition, Casa Azul, Gordola (CH), by Elia Varini, 2024
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(the images below are old, contact me for more recent material)
1 - Digital work from 2014 to 2017
2 - Analogue work from 2014 to 2017
3 - Perceptive work form 2014 to 2017








































